23DSP
The DE-_1 interface in Mid/Side mode, with the Side channel selected and the De-Ess section working alone

PluginsSeason 02Stable

De-

de-Box, de-Mud, de-Esser — now in Mid/Side and Left/Right too.

Mixing is about balance — but sometimes certain frequencies take over, and a mix starts to feel harsh, muddy or boxed in. De- takes on the three that do it most often: sibilance, low-mid mud and boxiness, each with its own dynamic filter that only cuts while the problem is there.

DE-_1 is the rebuilt version. Each section does what it did in De-, filter for filter, so in Stereo mode it sounds the way De- always did. The one deliberate difference is that the band split now sums back flat: the original lifted the region between the De-Mud and De-Box corners by about half a decibel, and that lift is gone. What changed around the sections is everything else.

The three sections

De-Box works between 250 and 500 Hz, on the hollow resonance of close mics and small rooms. De-Mud works between 150 and 350 Hz, on the low-mid build-up that makes a mix feel thick. De-Ess works between 4 and 12 kHz, as a narrow Peak on the S itself or a Shelf that calms everything above it.

Each has the same four controls. Frequency picks the spot, Threshold decides when it starts to cut, Range sets the most it will ever take — up to 18 dB — and Q sets how narrow the cut is.

New: two halves, two settings

Every control now exists twice. In Mid/Side you can de-ess the sides and leave the centre alone, or take mud out of the middle without touching the width. In Left/Right each channel of a pair gets its own settings. It opens in Stereo with Link on, which is the classic plug-in — nothing changes until you choose another mode. The wide vocal above is the clearest demonstration: Side Sibilance cuts the sides and leaves the centre untouched.

The display shows how much each section is taking out as it happens, and 68 presets are filed by source — vocals, drums, bass, guitars, keys, brass and winds, the mix bus, and a set built for the split modes. The six presets De- shipped with are still there, unchanged.

Moving from De-

DE-_1 is a separate plug-in, so it installs alongside De- and sessions that use De- keep loading De-. Settings saved inside an old session do not transfer: insert DE-_1 next to De-, match it by ear, then remove the old one. Presets you saved in De- do transfer — import the .preset file through the preset browser and it loads as it was.

Screenshots

Hear it

  • Vocal — sibilanceA bright vocal loop, level-matched so the only change is what the de-esser takes out. Gentle De-ess is one of the six presets De- originally shipped with.
    0:00–:––
  • Wide vocal — Stereo against Mid/SideThe new mode, audibly. Stereo de-esses both channels. Side Sibilance takes the S out of the sides and leaves the centre exactly as it was.
    0:00–:––
  • Drum loop — hats and snareHi-Hat Tame works only at the top, Snare Box only in the low mids, and Drum Loop Clean-up does both.
    0:00–:––

Release notes

  1. 0.9.1-rc5

    • The band split sums back flat. Up to rc4 the two upper bands took an all-pass at the lowest crossover, as the original De- did, which lifted the region between the De-Mud and De-Box corners by about half a decibel. With nothing cutting, the plug-in now passes the signal through unchanged.
    • macOS 10.13 and later, down from macOS 11. Apple Silicon starts at macOS 11 either way.
  2. 0.9.1-rc4

    • Rebuilt as DE-_1. The processing is carried over from the original note for note.
    • Stereo, Mid/Side and Left/Right modes, with Link on by default.
    • 68 presets filed by source, including the six De- originally shipped with, unchanged.
    • The display shows the cut each section is applying.
    • Signed and notarised macOS installer with AU and VST3, and a new Linux build.
    • A separate plug-in that installs alongside De-. Presets saved in De- can be imported.

From the Journal

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De- is free. Downloads and updates come through Gumroad — if it earns a place in your projects, a contribution supports the work.

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